Cameron Klasky Glad That Rand Paul Has Been Assaulted Again
| Brad Bird | |
|---|---|
 Bird at the Venice Flick Festival, September 2009 | |
| Born | Phillip Bradley Bird (1957-09-24) September 24, 1957 Kalispell, Montana, U.S. |
| Alma mater | California Establish of the Arts (BFA) |
| Occupation |
|
| Years agile | 1979–present |
| Notable work | The Iron Giant The Incredibles Ratatouille |
| Spouse(s) | Elizabeth Canney (one thousand. 1988) |
| Children | 3 |
| Awards | Academy Award for Best Blithe Feature The Incredibles (2004) Ratatouille (2007) |
Phillip Bradley Bird (born September 24, 1957) is an American film director, animator, screenwriter, producer, and vocalism actor. He has had a career spanning 40 years in both animation and live-action, and is best known for his films The Incredibles franchise, Ratatouille, The Iron Giant, and Mission: Impossible – Ghost Protocol. Bird was born in Montana and grew upward in Oregon. He developed an interest in the art of animation early on, and completed his showtime brusk subject area past historic period 14. Bird sent the film to Walt Disney Productions, leading to an apprenticeship from the studio'due south Nine Old Men. He attended the California Establish of the Arts in the late 1970s, and worked for Disney shortly thereafter.
In the 1980s, he worked in film development with various studios; he wrote the screenplay for *batteries not included, and developed 2 episodes of Amazing Stories for Steven Spielberg, including the influential Family Dog. After, Bird joined The Simpsons as creative consultant for eight seasons. He directed the 1999 feature The Iron Behemothic, adapted from a book past poet Ted Hughes; though critically lauded, information technology was a box-office bomb. He moved to Pixar where he wrote and directed 2 movies, The Incredibles (2004) and Ratatouille (2007) that were worldwide critical and financial smash hits; both earned Bird ii Academy Award for All-time Blithe Feature wins and Best Original Screenplay nominations. He transitioned to live-action filmmaking with 2011's similarly successful Mission Impossible: Ghost Protocol, but his 2015 effort Tomorrowland significantly underperformed. He returned to Pixar to develop Incredibles 2, which was released in 2018 and became the 2nd highest-grossing animated picture of all-fourth dimension.
Equally a filmmaker, Bird has been considered an auteur; he is known to supervise his projects to a loftier caste of detail. The bulk of Bird's filmography has attracted widespread acclaim; with the exception of Tomorrowland, all of his movies accept high amass scores from viewers and critics. His films' themes have been subject area to interpretation by commentators due to their parallels with novelist Ayn Rand's Objectivism philosophy, an analysis Bird has dismissed. He is known as an abet for creative liberty and the possibilities of animation, and has criticized its stereotype as children'due south amusement, or nomenclature as a genre, rather than art.
Early on life [edit]
As a teen, Bird was awarded an internship to larn from Walt Disney'southward Nine Old Men at their California headquarters.
Brad Bird was born in Kalispell, Montana, the youngest of four children to Marjorie A. (née Cantankerous) and Philip Cullen Bird. His father worked in the propane business, and his grandad, Francis Wesley "Frank" Bird, who was born in County Sligo, Ireland, was a president and principal executive of the Montana Power Company.[2] [3] [iv] Bird's fascination with filmmaking began at an early age. He started drawing at age three, with his first cartoons clear attempts at sequential storytelling. He was particularly enamored with animation after a screening of The Jungle Book (1967), and a family unit friend who had taken animation classes explained how the medium worked. Bird's father constitute a used camera that could shoot 1 frame at a time, and helped him setup the device for making films.[five] He began animative his first curt subject at age 11; that aforementioned year, his family connectedness introduced him to composer George Bruns, who ready him upward a tour of Walt Disney Productions in Burbank, California.[vi] [vii] Bird met the Nine Former Men—the animators responsible for the studio's nigh earliest and well-nigh celebrated features—and proclaimed he would join them i day.[8]
Bird has characterized his parents as generous and supportive of his interests. His female parent once made a rainy drive two hours in each mode to the only theater playing a reissue of Snow White and the Vii Dwarfs for Bird'due south didactics.[9] After 2 years, Bird had completed his first brusque, a fifteen-minute adaption of The Tortoise and the Hare.[half-dozen] On his parent'due south communication, to "start at the peak and work your fashion down", he sent the motion picture to his idols at Disney. The studio responded with an open up invitation for Bird to cease by whenever in town, which led him to make several visits to the studio's California headquarters in the ensuing years.[10] This opportunity—an "unofficial apprenticeship" of sorts—was "never offered" to anyone previously. He worked closely with Milt Kahl, whom he considered a hero. He began another motion picture, titled Ecology American Manner, which was more ambitious and in colour, but the workload was intense. Instead, Bird focused on other interests in his high school years, including dating, athletics, and photography. "Animation is the illusion of life, and you can't create that illusion assuredly if yous haven't lived it," he afterwards remarked.[11] The family relocated to Corvallis, Oregon in his youth, and he graduated from Corvallis High School in 1975.
That year, he was awarded a scholarship past Disney to attend the newly-formed California Establish of the Arts (CalArts) in Valencia, California; Bird has joked he was a "retired" animator past the time he received this offering. Instead, he considered attending the acting program at Ashland University.[12] After a three-year break, Bird chose CalArts and moved downwardly south.[viii] Bird's classmates included prominent time to come animators such equally John Lasseter, Tim Burton, and Henry Selick.[thirteen] Similar many students, they were dazed past the special effects in Star Wars (1977); both Lasseter and Bird agreed these feats were possible in animation.[xiv] First-twelvemonth students met in the room labeled A113—a pocket-size, sterile classroom with no windows.[15] Bird afterward used A113 equally an Easter egg in his films; information technology has since become a fixture of media made by the school'south alumni.
Career [edit]
Initial years [edit]
Disney and development deals (1978–1984) [edit]
Inside 2 years, Bird accustomed a job as an animator at Walt Disney Productions. Bird arrived at the studio in the midst of a transition: much of the studio's original creative staff were retiring, leaving the studio to a new generation of artists. What was left of the original staff got forth with the newcomers, but Bird clashed with the middlemen in charge. While animative at Disney, he became a part of a small group of animators who worked in a suite of offices inside the original studio chosen the "Rat'southward Nest".[sixteen] [17] At that place, Bird openly criticized the country of the studio, and characterized senior leadership as unwilling to take chance. He felt as though he was standing behind the studio'due south original principles. This volatile attitude prompted his firing past animation administrator Edward Hansen.[11] [18] He left Disney afterward simply two years; he received credits on The Small 1 (1978) and The Fob and the Hound (1981), and went uncredited on Mickey's Christmas Carol (1983) and The Black Cauldron (1985).
Bird was dispirited with the state of the American animation industry, and he considered his departure from Disney as the end of his long-held love of the class.[19] All the same, he pulled together funds to brand A Portfolio of Projects, a demo reel of potential animated projects, ones he felt the medium was capable of. Bird was hopeful of receiving financial bankroll from other studios, but ended up frustrated by Hollywood'southward development system: "for every good project I've fabricated, I've got every bit skillful projects that are sitting [un-produced by] various studios," he said in 2018.[20] He relocated to the Bay Area, eager to become a part of its burgeoning motion-picture show scene, which birthed films like Apocalypse Now and The Black Stallion.[21] He tried for several years to adapt Volition Eisner's comic book The Sprit to characteristic blitheness,[19] but studios declined, unwilling to accept a risk given Disney'southward say-so. He briefly attempted a computer-animated picture show at Lucasfilm with Ed Catmull, presaging his afterward work with Pixar. "He had all these ideas for making animated movies, but he didn't take a technical bone in his body and he didn't have any tolerance that you would need to have at the time to put up with some of the awfulness of the early technology," said Alvy Ray Smith.[22] Bird'southward next credit was every bit an animator on the dark blithe drama The Plague Dogs (1982); he was also fired by the film's manager, Martin Rosen, during its production.[23]
Work with Steven Spielberg (1985–1989) [edit]
One piece from his test reel was Family Dog, which attracted the attention of managing director Steven Spielberg. Family Domestic dog is centered on a pet'due south perspective of his dysfunctional suburban family, and its original pencil test featured designs by Bird'due south classmate Tim Burton. Bird had hoped to develop the concept into theatrical shorts, similar those from the golden historic period of American animation, but the market merely no longer existed.[20] Instead, Bird moved back to Los Angeles and joined Spielberg's Amblin Entertainment,[14] and became involved with his television program Amazing Stories, an album serial which debuted in 1985. He co-wrote the screenplay for "The Main Attraction", the show's second episode, with Mick Garris. Spielberg enjoyed the script, and invited Bird to pitch other ideas. Bird storyboarded another Family Dog segment, which was decided to be adapted into an episode of Astonishing Stories. The episode, which aired in 1987, was a ratings success. The experience was heady for Bird; "Not just was Steven one of my favorite filmmakers, but he was powerful plenty to clear space that immune us creative freedom," he afterwards remarked.[24] Family Canis familiaris was later on spun-off into its ain half-hr sitcom, against Bird'due south urging and without his involvement, as he felt the idea would not work. He was also perturbed to see Burton'southward role in designing the characters overshadow his deeper contributions to the concept.[25]
He was later on brought on to co-write the screenplay for *batteries non included (1987), a comic sci-fi flick that stemmed from an Astonishing Stories outline. The movie opened in quaternary place domestically,[26] and was overall a box function striking, generating $65.ane one thousand thousand on its $25 million upkeep. Bird also helped with Helm EO, 3-D brusk film starring Michael Jackson viewed at Disney theme parks.[27] These successes brought Bird more than opportunity, but he continued to spend many years in development hell with studios. He grew irritated with notes from middle direction: executives he felt "would analyze your work and dictate everything you'd need to practise to make it 'more pleasing to an audience'—and in the process would just brand stories smaller and more like everything else," he complained.[14] In his personal life, he wednesday Elizabeth Canney, an editor on *batteries not included. In 1989, Bird's sister Susan, with whom he was very shut, was killed by her estranged hubby in a murder-suicide.[28] The event was traumatic for Bird; he felt emotionally "kind of gone in that period. I don't really accept a lot of memories from it."[19] He had enough funds to support himself for a time, so he simply rested: "I only kind of didn't practise annihilation," he confessed.[5]
Career moves [edit]
Work on The Simpsons (1989–1996) [edit]
Bird's cinematic sense of visual storytelling with Family Dog was uncommon in television animation to that point, mainly due to monetary restrictions. Most television productions retained a rudimentary style, with frequent abuse of standard close-ups, medium angles, and establishing shots to movement the story along. In contrast, Bird favored using more than filmic techniques, utilizing extreme angles, long panning shots, quick photographic camera cuts, pushed perspective, and so on. Bird'south piece of work on Family unit Dog defenseless the middle of producers James L. Brooks and Sam Simon, who with Matt Groening were developing The Simpsons, the first prime time animated sitcom in decades for Fox. In 1989, he was invited to join Klasky Csupo (and later Film Roman), where he served as executive consultant for the show. The role required Bird oversee the script-to-animation pipeline two–three days per week.[7]
Bird worked on the prove for its commencement viii seasons, and directed the episodes "Krusty Gets Busted" (1990) and "Like Begetter, Similar Clown" (1992). He also designed the character Sideshow Bob. In his function, he pushed the prove'due south artists to visualize episodes as miniature films, taking inspiration from the work of Stanley Kubrick and Orson Welles. In the 1990s, Bird too contributed to other episodic animated sitcoms similar The Critic and King of the Hill, both of which took cues from this established template. Bird called his work at The Simpsons a "gilded opportunity," recognizing that the material was more to his sensibility than the piece of work he had done for Disney. On a personal level, the job was deeply fulfilling; he attended weekly read-throughs which he found delightful,[29] and he considered the gig the merely bright spot in the years post-obit his sister's passing. His concluding credit on the bear witness came with the episode "Lisa the Simpson", which aired in 1998. The show's crew hoped to get Bird to straight its later 2007 film adaption, but he was too decorated by that signal.[xxx]
The Atomic number 26 Behemothic (1997–2000) [edit]
Animation had a commercial and creative renaissance in the U.S. during the 1990s, with Hollywood studios eager to capitalize on the success of Disney'south The Lion Rex (1994). Bird connected to store around motion picture ideas to studios throughout the decade,[31] but grew frustrated with his lack of progress in his dream of directing a feature. He was momentarily signed to straight a alive-action one-act, Brothers in Crime, at New Line Movie theatre, only it did not pan out.[22] In addition, his growing family unit gave rise to other concerns. "I had anxiety about devoting my energy to work that was meaningful and spending time with my family, which was also meaningful to me. If I did one, would I fail at the other?" he worried.[32] He pored these themes into a screenplay for The Incredibles, which he pitched to studios beginning in 1992.[33] [34] He also developed an original sci-fi feature titled Ray Gunn, with a script co-written by Matthew Robbins. Its futuristic story centered on a individual detective in an Art Deco world of humans and aliens. Bird signed a production deal with Turner Characteristic Animation in January 1995,[27] [35] but the studio felt Ray Gunn would be besides intense for its target demographic of immature children.[36] The following year, Turner merged with Time Warner, which contained the last iii months of Bird's contract.[19]
Warner executives gear up up a meeting, and made it clear they had no interest in Ray Gunn. Instead, they offered Bird several in-development projects, including a musical version of poet Ted Hughes' book The Atomic number 26 Man, outset envisioned by rocker Pete Townshend. Bird read the novel and felt "enchanted" by information technology; he felt fatigued to Hughes' rationale for writing the story, which was to condolement his children afterward the death of his married woman, Sylvia Plath. Bird connected with its themes, relating it to his sister's passing from gun violence.[nineteen] He significantly revised the entire story to center on a central question: "What if a gun had a soul?" Warner leadership was sold and Bird signed the contract to direct The Iron Giant in Dec 1996.[19] Bird penned the screenplay with Tim McCanlies, which centers on a immature boy named Hogarth Hughes, who discovers and befriends a giant alien robot during the Cold State of war in 1957.
He was quickly faced with assembling a team with little fourth dimension to spare; most big-upkeep animated films of the era were workshopped for years, whereas Bird only had two. Adding to the force per unit area was Bird's frequent disagreements with the film's co-producer, Allison Abbate.[19] In a merchandise-off, the coiffure received significant creative freedom to make the film they wanted to make, though Bird occasionally fielded suggestions from executives to make the film more than merchandisable or kid-friendly. The film scored highly on test screenings, but Warner neglected to secure prominent promotion for the movie. The Iron Giant opened in August 1999 to rave reviews from critics, but very depression ticket sales; theater owners discarded the moving-picture show after but a few weeks. Altogether, the movie grossed $31.3 meg worldwide against its $l million budget, which was considered a significant loss for Warner. Upon its inflow on home video, the film took on a cult following.[nine] Bird was disappointed by the failure of Giant; he visited multiple cineplexes only to view the film in empty auditoriums.[34] Afterwards, he was briefly attached to direct a Curious George adaptation for Universal,[33] merely he instead set his sights toward another animation studio: Pixar.
Path to Pixar and beyond [edit]
Incredibles and Ratatouille (2000–2008) [edit]
In the tardily 1990s, Bird reconnected with old friend John Lasseter, who went on to form Pixar, a calculator animation studio. The company released the first fully computer-animated characteristic moving-picture show, Toy Story, in 1995. Bird was stunned by the film, and in 1997, the two began to negotiate Bird joining Pixar.[31] [24] In March 2000, Bird went to Pixar's Emeryville, California campus and pitched his ideas, including The Incredibles, to Lasseter.[37] The studio announced a multi-film contract with Bird in May of that twelvemonth,[38] making Bird the first outside voice for the studio, which previously required talent to rise through the ranks. He was excited to render to the Bay Area, where had lived intermittently two decades prior.[31] He purchased a dwelling in Tiburon, beyond the bay from Pixar's Emeryville headquarters.[32] He grew comforted past the "creative and supportive" atmosphere at Pixar, unlike many of the L.A. studios he had worked for; he convinced a core squad to join him up north, including artists Tony Fucile, Teddy Newton, and Lou Romano, all of whom had contributed development artwork for The Incredibles for much of the by decade.[14]
The Incredibles the film follows Bob (Craig T. Nelson) and Helen Parr (Holly Hunter), a couple of superheroes, known as Mr. Incredible and Elastigirl, who hide their powers in accord with a regime mandate, and try to live a quiet suburban life with their iii children. Bob's want to aid people draws the entire family into a confrontation with a vengeful fan-turned-foe, Syndrome. Bird also provides the phonation of costume designer Edna Manner. As an inside joke, the character Syndrome was based on Bird's likeness (as was Mr. Incredible) and according to him, he did not realize the joke until the movie was too far into product to take it changed.[39] The animation team was tasked with creating computer blitheness'southward first an all-homo bandage, which required creating new technology to breathing detailed human anatomy, clothing, and realistic pare and hair. Michael Giacchino composed the film'southward orchestral score, marking the kickoff in a series of collaboration between the two men. The Incredibles was Bird'south first global disquisitional and box-part blast, grossing $631.4 million, making it the fourth-highest-grossing film of 2004. Bird won his first University Award for Best Animated Feature, and his screenplay was nominated for Best Original Screenplay.[xl] Information technology was the first animated pic to win the prestigious Hugo Award for Best Dramatic Presentation.
Bird, far left, with Pixar's senior creative team in 2009.
Bird's next project was Ratatouille (2007), which follows a rat named Remy, who dreams of condign a chef and tries to attain his goal by forming an brotherhood with a Parisian restaurant's garbage boy. The film was developed past Jan Pinkava, who worked on the concept for many years. By the fourth dimension the project was slated to enter the blitheness process, Pixar leadership became concerned information technology was not ready. Bird was hired on in July 2005 to assess the mistakes and plow the project effectually in a brusk time.[41] He disliked having to have over Pinkva'south passion project: "It was a crude position to exist in considering I always come down on the side of the creator," he later said.[20] However, he was also in position with Pixar every bit a member of their "brain trust"—a group of individuals who critique and help each other—so he felt the office came naturally. When Bird took over, much of the blueprint work had been completed, but Bird wrote an entirely new script that eschewed much of its original dialogue.[42] Giacchino returned to compose the Paris-inspired music for the picture. Upon release, Ratatouille was another huge hit for Pixar; the film grossed $623.7 million and earned widespread critical acclaim. It won the All-time Animated Feature award at the 2008 Gilded Globes; information technology was too nominated for five Academy Awards, including Best Original Screenplay and All-time Blithe Feature, which it won.[forty]
Move to alive-action: Ghost Protocol and Tomorrowland (2008–2015) [edit]
Midway through the aughts, Bird was attached to directly an adaption of James Dalessandro's novel, 1906,[43] which chronicles the tumultuous earthquake that struck San Francisco a century prior. Due to the size and calibration of such a project, three studios were to finance its making—Pixar, Disney, and Warner Bros.—but the project stalled. He paused when Pixar direction asked he take over Ratatouille, and returned later. He attempted to re-write 1906 to piece of work inside the confines of a feature's length, but struggled. Instead, Bird helmed the next installment of the activeness spy series Mission Impossible, starring Tom Cruise.[6]
Bird's foray into alive-action filmmaking later a major career in animation had little precedent, co-ordinate to critics.[44] Cruise had been impressed by the mode and storytelling of Incredibles, and urged Bird to contact him should he venture into the alive-action sphere. The thought of combining the commercial aspects of a franchise—this was the tertiary Mission sequel—and more artistic tones challenged Bird, who signed on to direct in May 2010.[45] In the picture, Cruise reprises his role of Impossible Missions Force agent Ethan Chase, who with his team race against time to find a nuclear extremist who gains access to Russian nuclear launch codes. Ghost Protocol was shot on location partially in Dubai, and includes a memorable scene when Cruise scales the newly-erected Burj Khalifa. Upon release in Dec 2011, it became the highest-grossing film in the series up to that point, with $694 one thousand thousand worldwide.[46] It was the 5th-highest-grossing moving picture of 2011 as well every bit the second-highest-grossing film starring Prowl.[47] [48] [49]
Though he was asked to direct Star Wars: The Force Awakens, Bird turned down the opportunity to focus on his new projection: the sci-fi film Tomorrowland,[50] named for the futuristic themed state found at Disney theme parks.[51] Bird co-wrote the screenplay with Damon Lindelof. In the film, a disillusioned genius inventor (George Clooney) and a teenage science enthusiast (Britt Robertson) embark to an intriguing alternating dimension known as "Tomorrowland," where their deportment directly affect their own globe. The film ended upwards beingness a box-office bomb, losing Disney $120–150 million, and attracting a mixed disquisitional response.[52] [53] [54]
Latest work [edit]
Incredibles 2 (2016–2018) [edit]
Bird was long open to the thought of Incredibles sequel, should the story suffice. Over the years, he mentioned its possibility in interviews, and these suspicions were confirmed when an official sequel was announced in 2014. Bird began writing its screenplay in earnest the next yr; he attempted to distinguish the script from the breadth of superhero-related content released since the first picture show, focusing on the family unit dynamic rather than the superhero genre. The story follows the Incredibles every bit they try to restore the public's trust in superheroes while balancing their family life, only to combat a new foe who seeks to plow the populace against all superheroes. Though scheduled for release in 2019, the film was completed on an accelerated product schedule, equally information technology was farther ahead in production than Toy Story 4, which required more development; the ii only swapped years, with Incredibles 2 debuting in theaters in June 2018.[55] Giacchano returned to compose the score.
Incredibles 2 was a huge smash hit for Disney/Pixar: it made $182.7 million in its opening weekend, setting the tape for best debut for an animated moving-picture show, and grossed over $1.ii billion worldwide, making it the second-highest-grossing animated film in full general, the highest-grossing Pixar film, and the fourth-highest-grossing film of the year. Incredibles two was named past the National Board of Review as the Best Animated Flick of 2018. The picture show was nominated for Best Animated Characteristic at the 76th Golden Globe Awards and 91st Academy Awards, just lost both awards to Spider-Homo: Into the Spider-Verse.
Recent events (2019–present) [edit]
Bird has expressed interest in developing an blithe Western or horror motion picture.[6] In 2019, Bird appear he was working with frequent collaborator Michael Giacchino on an original musical film that will contain about 20 minutes of animation in it.[56] In 2022, it was appear that Bird will revive his long-dormant project Ray Gunn for Skydance Blitheness.[57]
Style and themes [edit]
I love all the arts, only I love movies nigh because they combine and then many of them.[58]
Brad Bird
Bird says he was influenced by dozens of filmmakers, singling out early moviemakers Buster Keaton, Charlie Chaplin, and Harold Lloyd, to mid-twentieth century auteurs similar David Lean, Alfred Hitchcock, Walt Disney, and Akira Kurosawa. More than contemporary directors similar Steven Spielberg, Francis Ford Coppola, George Lucas, Hayao Miyazaki,[50] and the Coen brothers take inspired Bird likewise.[29] His passion for the medium was evident even in his college years; friend John Lasseter remembered, "Brad would hang out all night talking about Scorsese and Coppola and how he could practise what they did in blitheness."[34] Bird'south career trajectory has been considered somewhat unusual: he did not straight his beginning film until he was in his forties.[59] Bird himself has observed that his career was "very long, very delayed and full of disappointment," mainly because he aspired to "lofty" self-set expectations.[20]
He has been characterized as controlling with an exquisite attending to item.[44] [34] His "demanding, often punishing"[60] management which has prompted some to consider him difficult to piece of work with.[59] Bird is outspoken well-nigh the potential of the art of animation, and has asked the public not refer to his films as cartoons.[44] In the sound commentary for the home release of The Incredibles, Bird joked he would fight the next person to refer to animated movies as a "genre", as opposed to art grade. He has as well taken exception to the classification of modern blithe fare every bit solely for children or families;[61] [62] suggesting information technology discriminatory and belittling.[63] [64] He has expressed a beloved for paw-drawn animation and its current absence from the industry.[50]
Many writers have observed parallels between Bird's work and Objectivist philosophies.
Many critics have analyzed his films and suggested they reverberate Russian-American novelist Ayn Rand'southward Objectivism philosophy, which Bird vehemently denies, suggesting information technology a awe-inspiring misreading of his work.[59] Though he claims he was drawn to Rand'south work in his younger years, he offers, "Me existence the Ayn Rand guy is a lazy slice of criticism."[65] He stated that a large portion of the audience understood the bulletin equally he intended whereas "ii pct thought I was doing The Fountainhead or Atlas Shrugged."[37] Tomorrowland 's plot line—a group of geniuses course a utopia to sequester themselves from the earth—has been considered reminiscent of Atlas Shrugged and its Galt Gulch enclave.[60] In The Incredibles, father Bob Parr complains of what he feels is order's increasing celebration of mediocrity, and later in the moving-picture show, its villain Syndrome asserts that "when everyone'south super, no one will exist." Analysts suggested these lines a reflection of views shared by German philosopher Friedrich Nietzsche.[37] [66] Ane writer distilled Ratatouille down to "if you don't have talent, y'all should go out of the mode of people who do."[59] David Sims at The Atlantic has suggested Bird'south films are instead "stories about the frustrations of unbridled inventiveness [...] In each film, at that place'south an indelible recurring image: the frustrated genius, locked away in a dusty closet, obsessing over the talents he has to hibernate."[threescore] As well, IndieWire'southward Eric Kohn called Bird a "pivotal effigy in exploring the American dream through the vernacular of popular culture."[67]
Personal life [edit]
Bird and his married woman Elizabeth (k. 1988) have iii sons. I of his sons, Nicholas, was the vocalism of Eject in the Pixar film Finding Nemo [68] [69] and Rusty McAllister in The Incredibles. Some other son, Michael, voiced Tony Rydinger in The Incredibles and its sequel.[70] Bird maintains properties in Tiburon, California, and Los Feliz, California.[71]
Upon criticism that The Incredibles exhibited a right-wing bias, Bird demurred, noting, "I'm definitely a centrist and feel like both parties can be cool."[37]
Filmography [edit]
Feature films [edit]
| Twelvemonth | Title | Director | Writer | Other | Voice Function | Notes |
|---|---|---|---|---|---|---|
| 1980 | Animalympics | No | No | Yes | Animator [11] | |
| 1981 | The Fox and the Hound | No | No | Uncredited | ||
| 1982 | The Plague Dogs | No | No | Yes | ||
| 1985 | The Blackness Cauldron | No | No | Uncredited | ||
| 1987 | Batteries Not Included | No | Screenplay | No | ||
| 1999 | The Iron Behemothic | Yeah | Yeah[a] | Aye | Song Performer: "Duck and Cover" | Animator [74] |
| 2001 | Monsters, Inc. | No | No | Uncredited | Encephalon Trust [75] [76] | |
| 2003 | Finding Nemo | No | No | Uncredited | ||
| 2004 | The Incredibles | Yes | Yes | Aye | Edna Manner (E) | |
| 2006 | Cars | No | No | Uncredited | ||
| 2007 | Ratatouille | Yes | Yes | Yes | Ambrister Minion | |
| 2008 | WALL-E | No | No | Yes | Senior Creative Team | |
| 2009 | Upwards | No | No | Yes | ||
| 2010 | Toy Story 3 | No | No | Yes | ||
| 2011 | Cars 2 | No | No | Aye | ||
| Mission: Incommunicable – Ghost Protocol | Yep | No | No | |||
| 2012 | Brave | No | No | Yes | Senior Creative Team | |
| 2013 | Monsters University | No | No | Yes | ||
| 2015 | Tomorrowland | Yeah | Yes | Yes | Also producer and logos designer | |
| Jurassic Globe | No | No | Yes | Monorail Announcer | Thanks | |
| Inside Out | No | No | Yes | Senior Creative Team | ||
| The Good Dinosaur | No | No | Yes | |||
| 2016 | Finding Dory | No | No | Yes | ||
| 2017 | Cars 3 | No | No | Yep | ||
| Coco | No | No | Yep | |||
| 2018 | Incredibles 2 | Yes | Yes | Yes | Edna Mode (E) / Boosted Voices | Vocal Lyrics: "Frozone", Senior Creative Team |
| 2019 | Toy Story 4 | No | No | Yes | Senior Creative Squad | |
| TBD | Ray Gunn | Yes | Yes | No | Too producer | Besides producer [77] |
| 1906 | Yes | Yes | No |
Short films [edit]
| Year | Title | Director | Writer | Story Artist | Executive Producer | Other | Vocalism Role | Notes |
|---|---|---|---|---|---|---|---|---|
| 1979 | Md of Doom | No | No | No | No | Yep | Don Carlo / Eyewitness | |
| 1990 | Do the Bartman | Yeah | No | Yeah | No | No | Music Video | |
| 2005 | Jack-Jack Assault | Yes | Yes | No | No | No | ||
| Mr. Incredible and Pals | Dialogue | Dialogue | No | Yes | No | Commentary Edition | ||
| One Man Band | No | No | No | Yes | No | |||
| 2007 | Your Friend the Rat | No | No | No | Yes | No | ||
| 2018 | Auntie Edna | No | No | No | Yeah | Yeah | Edna Style (Due east) |
Documentary featurettes [edit]
| Year | Title | Executive Producer | Role |
|---|---|---|---|
| 2005 | The Making of The Incredibles | Yes | Himself |
| More than Making of The Incredibles | Yeah | ||
| Vowellett - An Essay past Sarah Vowell | Yeah |
Television [edit]
| Year | Title | Notes |
|---|---|---|
| 1983 | Garfield on the Town | Animator |
| 1985–1987 | Astonishing Stories | Writer of episode: "The Main Attraction" Managing director, writer and animation producer of episode: "Family Domestic dog" |
| 1989–1998 | The Simpsons | Executive consultant and directed episodes: "Krusty Gets Disrepair" and "Like Father, Like Clown" |
| 1989 | Rugrats | Animator Episode: "Tommy Pickles and The Great White Thing" |
| 1993 | Family Dog | Creator |
| 1994–1995 | The Critic | Executive consultant |
| 1997 | King of the Loma | Creative consultant and visual consultant |
Video games [edit]
| Year | Title | Phonation Part |
|---|---|---|
| 2004 | The Incredibles: When Danger Calls | Edna Mode (East) |
| 2018 | Lego The Incredibles |
Other credits [edit]
| Yr | Title | Role |
|---|---|---|
| 1988 | Technological Threat | Special Thank you |
| 2004 | The SpongeBob SquarePants Motion picture | Thanks |
| 2006 | Friz on Film | Special Thanks |
| 2007 | Fog City Mavericks | Himself; Special Thanks |
| Madison's Résumé | Special Thank you | |
| The Pixar Story | Himself; Very Special Thanks | |
| 2009 | Agenda Confloption [78] | Special Thank you |
| Partly Cloudy | ||
| 2010 | 24-hour interval & Dark | |
| Pinched | ||
| 2013 | Toy Story of Terror! | Extra Special Thanks |
| 2018 | Bao | Special Cheers |
| 2019 | Frozen 2 | |
| 2020 | Loop | Story Trust |
| Sheet | Special Thanks | |
| 2021 | Pixar Popcorn: Chore Day The Incredibles Way | |
| Pixar Popcorn: Cookie Num Num |
Unmade projects [edit]
- The Spirit, an animated characteristic Bird adult with Jerry Rees and producer Gary Kurtz, based on Will Eisner'south acclaimed comic strip. The studios they pitched it to liked the script, but were unwilling to have the gamble on an animated feature for the adult audience.[79] [80]
- The Incredible Mr. Limpet, a project that is still in evolution hell. Bird was attached to direct at ane point only was replaced by Mike Judge and many others.[81]
- Curious George, wrote a draft of the film at one point, merely his script was not used in the produced version.[82]
- The Simpsons Movie, the crew from The Simpsons including Matt Groening and James Fifty. Brooks were hoping to get Bird to straight, but was too decorated with Ratatouille at the time. David Silverman, who was also working at Pixar at the time and quit his chore after finishing work on Monsters, Inc., became the picture's managing director.[30]
- 1906, a collaborative project from Warner Bros. and Pixar (which could have been their first alive-activity project), in association with Walt Disney Pictures, where Bird would have directed. Disney and Pixar left the projection in 2012 in evolution limbo at Warner Bros. due to delays in the film's several planned releases, several rejected scripts were not picked upward, and going over upkeep ($200 meg).[83] [84] [85] [86] Nonetheless as of June 2018[update], Bird has expressed interest as to adapt the book as a Tv set serial and the earthquake sequence as a live-activity feature film.[87]
- Star Wars: The Force Awakens, Bird was on a shortlist of directors to direct the seventh Star Wars movie. He passed on the project in favor of Tomorrowland; The Force Awakens was directed by J. J. Abrams.[88]
- Sonic the Hedgehog, Bird was featured on a shortlist of writers when the film was nonetheless in development at Columbia Pictures. Afterwards Jeff Fowler was called to straight, Pat Casey and Josh Miller were picked every bit writers.[89]
Critical reception [edit]
Critical response to films Bird has directed:
| Film | Rotten Tomatoes | Metacritic | Cinemascore |
|---|---|---|---|
| The Iron Giant | 96%[90] | 85[91] | A |
| The Incredibles | 97%[92] | 90[93] | A+ |
| Ratatouille | 96%[94] | 96[95] | A |
| Mission: Incommunicable – Ghost Protocol | 93%[96] | 73[97] | A- |
| Tomorrowland | 50%[98] | 60[99] | B |
| Incredibles two | 94%[100] | eighty[101] | A+ |
| Boilerplate | 88% | 81 | A |
Accolades [edit]
In add-on to his University Award, BAFTA Award and Saturn Laurels wins, Bird holds the record of the about animation Annie Accolade wins with eight, winning both Best Directing and Best Writing for each of The Iron Giant, The Incredibles and Ratatouille, likewise as Best Voice Acting for The Incredibles. His eighth Annie was the 2011 Winsor McCay Award for lifetime contribution to animation.
| Yr | Award | Category | Pic | Upshot[102] |
|---|---|---|---|---|
| 1999 | Annie Award | Best Animated Feature | The Iron Giant | Won |
| Directing in an Animated Feature Production | Won | |||
| Outstanding Individual Achievement for Writing in an Blithe Feature Production Shared with Tim McCanlies | Won | |||
| Los Angeles Movie Critics Association Award | Best Blitheness | Won | ||
| 2000 | BAFTA Children'south Laurels | Best Characteristic Pic Shared with Allison Abbate, Des McAnuff and Tim McCanlies | Won | |
| Hugo Award | Best Dramatic Presentation Shared with Tim McCanlies and Ted Hughes (Based upon the book) | Nominated | ||
| Science Fiction and Fantasy Writers of America Honor | All-time Script | Nominated | ||
| 2004 | Los Angeles Film Critics Association Award | All-time Animation | The Incredibles | Won |
| 2005 | Academy Award | Best Original Screenplay | Nominated | |
| All-time Animated Feature | Won | |||
| Annie Award | Best Animated Feature | Won | ||
| Outstanding Individual Achievement for Directing in an Animated Feature Product | Won | |||
| Outstanding Individual Accomplishment for Writing in an Animated Characteristic Production | Won | |||
| Outstanding Individual Achievement for Vocalization Interim in an Animated Feature Production | Won | |||
| Hugo Award | All-time Dramatic Presentation | Won | ||
| London Critics Circle Film Awards | Screenwriter of the Yr | Nominated | ||
| Online Flick Critics Society Award | Best Screenplay, Original | Nominated | ||
| Saturn Accolade | Best Writing | Won | ||
| Science Fiction and Fantasy Writers of America Award | All-time Script | Nominated | ||
| 2006 | Hugo Laurels | Best Dramatic Presentation | Jack-Jack Attack | Nominated |
| 2007 | Boston Club of Motion picture Critics Award | All-time Screenplay | Ratatouille | Won |
| Chicago Moving picture Critics Association Award | Best Screenplay, Original | Nominated | ||
| Los Angeles Moving-picture show Critics Association Laurels | Best Animation Shared with Jan Pinkava | Won | ||
| 2008 | Academy Award | All-time Original Screenplay Shared with Jan Pinkava and Jim Capobianco | Nominated | |
| Best Animated Feature | Won | |||
| Annie Laurels | Best Animated Feature | Won | ||
| Outstanding Individual Achievement for Directing in an Animated Feature Production | Won | |||
| Outstanding Individual Achievement for Writing in an Animated Feature Product | Won | |||
| BAFTA Flick Award | Best Blithe Picture | Won | ||
| Golden Globe Award | All-time Animated Feature Film | Won | ||
| Online Film Critics Society Honour | Best Screenplay, Original | Nominated | ||
| Saturn Honour | Best Writing | Won | ||
| 2012 | Best Director | Mission: Incommunicable – Ghost Protocol | Nominated | |
| 2019 | Academy Award | All-time Animated Characteristic | Incredibles 2 | Nominated |
See also [edit]
- A113
- Directors with two films rated A+ by CinemaScore
References [edit]
Notes [edit]
- ^ Although McCaniles received sole screenplay credit in the original theatrical prints and home video releases, Bird is credited in the film's 2015 restoration and the Signature Edition.[72] [73]
Citations [edit]
- ^ "Director Brad Bird (R) and spouse Elizabeth Canney pose for a photo at the premiere of Disney's Tomorrowland in Anaheim, California on May ix, 2015". Getty Images . Retrieved April 2, 2017.
- ^ Berens, Jessica (September 29, 2007). "Ratatouille: Twelvemonth of the rat". The Daily Telegraph. London.
- ^ "Brad Bird ancestry". Ancestry.com. Archived from the original on October 25, 2012. Retrieved August 15, 2012.
- ^ Gaiser, Heidi (November 12, 2004). "Kalispell Native is the Superhero Behind "The Incredibles"". Daily Inter Lake. Archived from the original on May 25, 2012. Retrieved August 7, 2011.
- ^ a b Bird, Brad. Bailey, Cameron (June 12, 2018). In Conversation With... Brad Bird. Toronto: TIFF Talks.
- ^ a b c d Eng, Matthew (April 25, 2015). "Brad Bird Talks Tomorrowland, Tom Cruise, and the Future of Animation". TribecaFilm.com . Retrieved January half dozen, 2022.
- ^ a b Ciprioni, Casey (April 28, 2015). "Tribeca: Brad Bird on Learning From 'The Simpsons' and What Inspired 'Tomorrowland'". IndieWire . Retrieved January six, 2022.
- ^ a b Ghez, Didier, ed. (2011). Walt's People: Volume 11—Talking Disney with the Artists who Knew Him. Xlibris. ISBN978-1-465-36840-nine.
- ^ a b Bird, Brad (2004). "20/20" (Interview). ABC. Retrieved January 6, 2022 – via YouTube.
- ^ Paik 2007, pp. 32–35.
- ^ a b c Petrakis, John (September 3, 1999). "'Fe Behemothic' Manager Bird Got Animated Start With Disney". Chicago Tribune . Retrieved Nov 26, 2018.
- ^ Paik 2007, p. 233.
- ^ Kashner, Sam (Baronial 2011). "The Class That Roared". Vanity Fair. Archived from the original on April 4, 2014. Retrieved Jan 6, 2022.
- ^ a b c d Vaz, Marking Cotta (2004). The Fine art of The Incredibles.
- ^ Toll 2008, p. 48.
- ^ Canemaker, John (Baronial 8, 1999). "A Disney Dissenter Shuns Song and Trip the light fantastic toe". The New York Times . Retrieved November 26, 2018.
- ^ Korkis, Jim (February vii, 2014). "Blitheness Anecdotes #148". Cartoon Inquiry . Retrieved November 26, 2018.
- ^ Huddleston, Jr., Tom (June fifteen, 2018). "How 'Incredibles 2' managing director Brad Bird got his start at Disney". CNBC.
- ^ a b c d e f thousand Bird, Brad (2016). The Giant'southward Dream: The Making of The Iron Behemothic (Documentary). Warner Bros. Habitation Entertainment.
- ^ a b c d Barbagallo, Ron (September 29, 2018). "BRAD BIRD's Amazing Story, from leaving Disney onto fixing The Fe Giant, and the Road Less Traveled". Animation Fine art Conservation . Retrieved January six, 2022.
- ^ Paik 2007, pp. 249–251.
- ^ a b Price 2008, p. NA.
- ^ Rosen, Martin (2019). Interview (documentary). Shout Factory.
- ^ a b Cartwright, Nancy (June 30, 2009). "Nancy Cartwright Chats with Brad Bird". Blitheness Globe Network . Retrieved January half-dozen, 2022.
- ^ "Alphabetic character from Brad Bird". Time. July 12, 1993. p. 5.
- ^ "Eddie Potato's 'Raw' Is No. 1 at Box Office". The New York Times. December 24, 1987. Archived from the original on May 17, 2011. Retrieved January 6, 2022.
- ^ a b "Company Town". Los Angeles Times. January 17, 1995. Retrieved January half dozen, 2022.
- ^ "Obituaries: Susan Bird Wagner". Corvallis Gazette-Times. Corvallis, Oregon. March 7, 1989. p. 10 – via Newspapers.com.
- ^ a b Bird, Brad. "On Directing: Incredibles two Director Brad Bird on Working on The Simpsons & The Fe Giantdate=July 13, 2018" (Interview). BAFTA Guru. Retrieved January half-dozen, 2022.
- ^ a b Olly Richards (May 24, 2007). "Homer'south Odyssey". Empire. pp. 72–78.
- ^ a b c Paik 2007, pp. 229–251.
- ^ a b Hart, Hugh (October 31, 2004). "Family unit Heroes". San Francisco Chronicle . Retrieved January half dozen, 2022.
- ^ a b Petrikin, Chris (October 31, 1999). "U, Imagine in 'Curious' monkey biz with Bird". Diversity . Retrieved January 6, 2022.
- ^ a b c d Gardetta, Dave (Feb 1, 2005). "Mr. Indelible". Los Angeles. p. 82.
- ^ Cox, Dan (May eight, 1995). "Across 'Gettysburg'". Variety . Retrieved Jan 6, 2022.
- ^ Rosson, Jake (July five, 2016). "The Animated Motion picture Brad Bird Couldn't Get Off the Ground". Mental Floss . Retrieved Jan 6, 2022.
- ^ a b c d Patrizio, Andy (March nine, 2005). "An Interview with Brad Bird". IGN. Archived from the original on January xx, 2013. Retrieved February iv, 2022.
- ^ Graser, Marc (May 5, 2000). "Pixar Plucks Bird, Roth". Variety. p. one.
- ^ Brad Bird (January nineteen, 2008). "Not My Job: NPR". Wait Wait...Don't Tell Me! . Retrieved January 27, 2009.
- ^ a b "Brad Bird". Montana Kids. Montana Office of Tourism. Retrieved September 3, 2011.
- ^ Price 2008, p. 217.
- ^ Barbagallo, Ron. "The Art of Making Pixar'southward Ratatouille". Animation Fine art Conservation . Retrieved January 6, 2022.
- ^ Utichi, Joe (October 26, 2007). "Brad Bird Takes RT Through Ratatouille". Rotten Tomatoes . Retrieved January 3, 2009.
- ^ a b c Barnes, Brooks (December 9, 2011). "His Mission: Telling Stories to Grown-Ups". The New York Times . Retrieved January 6, 2022.
- ^ Stransky, Tanner (May vii, 2010). "'Mission: Impossible IV': Tom Cruise says Brad Bird is directing. Thoughts?". Entertainment Weekly . Retrieved January six, 2022.
- ^ "Box office collections of "Mission: Impossible" films". Archived from the original on December 1, 2005. Retrieved January half-dozen, 2022.
- ^ "'Mission: Impossible 4' Becomes Tom Cruise'southward Height-Grossing Moving-picture show". The Hollywood Reporter. February 3, 2012. Retrieved March 3, 2013.
- ^ "Tom Prowl'due south Top ten Highest Grossing Films Of All Time". Business Insider . Retrieved January 6, 2022.
- ^ "Around-the-Globe Roundup: 'Chiliad:I-iv' Passes $600 One thousand thousand Worldwide". Retrieved Jan 6, 2022.
- ^ a b c Jacques, Adam (May 22, 2015). "Brad Bird interview: The director on his love for hand-fatigued dogs, misunderstanding the B52s, and turning down Star Wars". The Independent . Retrieved July ane, 2019.
- ^ Breznican, Anthony (January 28, 2013). "Disney's mysterious '1952' movie has a new name ... 'Tomorrowland' -- Exclusive". Amusement Weekly. Archived from the original on Jan 30, 2013. Retrieved January 29, 2013.
- ^ Barnes, Brooks (May 24, 2015). "'Tomorrowland' Is a Box-Function Disappointment". The New York Times. Archived from the original on May 25, 2015. Retrieved May 24, 2015.
- ^ Verhoeven, Beatrice (Oct one, 2015). "Brad Bird Still Bummed About 'Tomorrowland' Flop, Hollywood's Sequel Mania". TheWrap. Archived from the original on October 6, 2015. Retrieved Oct 14, 2015.
- ^ Pamela McClintock (September 4, 2015). "Summer Box-Part Flops: 'Tomorrowland,' 'Fantastic Four' Summit List". The Hollywood Reporter. Archived from the original on September 5, 2015. Retrieved September v, 2015.
- ^ McClintock, Pamela (October 26, 2016). "'The Incredibles 2' Moves Up to Summer 2018; 'Toy Story 4' Pushed to 2019". The Hollywood Reporter . Retrieved October 26, 2016.
- ^ Amidi, Amidst (Jan 6, 2019). "Brad Bird Reveals His Next Project, And Information technology'south Not What Yous'd Look". Drawing Mash . Retrieved January nine, 2019.
- ^ Fleming, Mike Jr. (February 17, 2022). "Skydance Animation Brings 'The Incredibles' Brad Bird Into Fold To Straight His Blithe Film Cosmos 'Ray Gunn'". Borderline Hollywood.
- ^ Brew, Simon (October 21, 2019). "Can nosotros cease calling films 'content' at present?". Film Stories . Retrieved Feb 4, 2022.
- ^ a b c d VanDerWerff, Emily (June 27, 2018). "Why Incredibles manager Brad Bird gets compared to Ayn Rand — and why he shouldn't be". Vocalism . Retrieved Feb iv, 2022.
- ^ a b c Sims, David (June ane, 2015). "The Passion of Brad Bird". The Atlantic . Retrieved January 6, 2022.
- ^ Chapman, Tom (July iv, 2018). "Brad Bird Insists Incredibles 2 Is Non a 'Kids Moving-picture show'". Comic Book Resources.
- ^ Amidi, Amid (July iii, 2018). "Brad Bird: 'Incredibles 2' Is NOT A Kids Movie". Cartoon Brew.
- ^ Nolan, L.D. (November 17, 2018). "Incredibles 2: Brad Bird Disagrees With iTunes Classification". Comic Book Resources.
- ^ El-Mahmoud, Sarah (November 17, 2018). "Brad Bird Says Incredibles 2 Is Non A 'Kids Movie' And Should Be Reclassified". CinemaBlend.
- ^ Lamble, Ryan (July 9, 2018). "Brad Bird responds to critics of Incredibles and Tomorrowland". denofgeek.com. Dennis Publishing. Retrieved July i, 2019.
- ^ Michael Barrier (Feb 27, 2005). "Brad Bird – Interview". MichaelBarrier.com. Retrieved July 31, 2012.
- ^ Kohn, Eric (June 14, 2018). "Brad Bird'south Movies, Ranked Worst to All-time". IndieWire . Retrieved January vi, 2022.
- ^ "Nicholas Bird". behindthevoiceactors.com . Retrieved April 2, 2017.
- ^ "See The Voices Backside Your Favorite 'Finding Nemo' Characters". Amusement Weekly. May 31, 2016. Retrieved April 2, 2017.
- ^ Meszoros, Mark (June 15, 2018). "'Incredibles 2' a dazzling sequel". Journal Advocate . Retrieved June 23, 2018.
- ^ Leitereg, Neil J. (Dec iii, 2014). "'Tomorrowland' director Brad Bird buys in Los Feliz". Los Angeles Times . Retrieved January six, 2022.
- ^ "The Iron Giant". AFI . Retrieved December 16, 2018.
- ^ "'The Iron Giant: Signature Edition' Debuts September 6 on Blu-Ray". Blitheness World Network. March 29, 2016. Retrieved December 16, 2018.
- ^ "The Fe Giant commentary". Warner Abode Video.
- ^ Sarto, Dan (June 11, 2018). "Brad Bird Makes a Heroic Render to Animation with the Incredible 'Incredibles 2'". AWN.com. Animation World Network. Retrieved October 29, 2020.
- ^ Barbagallo, Ron (September 25, 2018). "BRAD BIRD's Astonishing Story, from leaving Disney onto fixing The Iron Behemothic, and the Road Less Traveled". Blitheness Art Conservation. Animation Art Conservation. Retrieved October 29, 2020.
- ^ Fleming, Mike Jr. (Feb 17, 2022). "Skydance Blitheness Brings 'The Incredibles' Brad Bird Into Fold To Direct His Blithe Film Creation 'Ray Gunn'". Borderline Hollywood . Retrieved March 18, 2022.
- ^ Lauer, Andy (March 11, 2009). ""Answer Human," "Nutrient Inc." Amidst 2009 Sonoma International Pic Festival Selections". IndieWire . Retrieved March 12, 2021.
- ^ Paul Leiva, Steven. "'The Spirit' flick that could have been", Los Angeles Times – Hero Circuitous, Dec. 12, 2008
- ^ Fiamma, Andrea (April 15, 2015). "Il trailer del film di Spirit mai realizzato da Brad Bird" (in Italian). Fumettologica. Retrieved December xxx, 2016.
- ^ Bradford Evans (Dec 4, 2013). "The Failed Jim Carrey 'Incredible Mr. Limpet' Remake Would Have Been Terrifying". Vulture. Retrieved December 2, 2021.
- ^ Linder, Brian (July 31, 2001). "Grazer Curious Well-nigh CG George". IGN. Retrieved August nineteen, 2016.
- ^ Christopher Orr (June 22, 2012). "'Dauntless': A Thwarting Worth Seeing". The Atlantic . Retrieved November 10, 2016.
- ^ Gardner, Eric (February 15, 2012). "Warner Bros. Wins 'Last Samurai' Lawsuit". The Hollywood Reporter . Retrieved November ten, 2016.
- ^ Fischer, Russ (January 27, 2010). "What Happened to Brad Bird's 1906?". Slashfilm . Retrieved November 10, 2016.
- ^ Bastoli, Mike. "'1906' to exist Disney/Pixar/Warner Bros. collaboration". March 13, 2008. Large Screen Blitheness. Archived from the original on December eight, 2012. Retrieved November 10, 2016.
- ^ Adam Chitwood (June xviii, 2018). "Brad Bird Says '1906' May Get Made as an "Amalgam" of a Boob tube and Film Project". Collider. Retrieved June eighteen, 2018.
- ^ Bernardin, Marc (May xvi, 2013). "Brad Bird on 'Incredibles' Sequel: 'I Would Probably Wanna Do That' (Q&A)". The Hollywood Reporter . Retrieved September 12, 2017.
- ^ "{TB Exclusive} "Sonic The Hedgehog" Gets The "Dark Knight" Handling And A Writer Shortlist". The Tracking Board. March 21, 2014. Retrieved August 29, 2021.
- ^ "T-Meter Rating of 'The Fe Giant'". Rotten Tomatoes. Retrieved April 22, 2012.
- ^ "The Atomic number 26 Giant Reviews, Ratings, Credits". Metacritic. Retrieved April 22, 2012.
- ^ "T-Meter Rating of 'The Incredibles'". Rotten Tomatoes. Retrieved April 22, 2012.
- ^ "The Incredibles Reviews, Ratings, Credits". Metacritic. Retrieved April 22, 2012.
- ^ "T-Meter Rating of 'Ratatouille'". Rotten Tomatoes. Retrieved April 22, 2012.
- ^ "Ratatouille Reviews, Ratings, Credits". Metacritic. Retrieved April 22, 2012.
- ^ "T-Meter Rating of 'Mission: Incommunicable – Ghost Protocol'". Rotten Tomatoes. Retrieved April 22, 2012.
- ^ "Mission: Incommunicable – Ghost Protocol Reviews, Ratings, Credits". Metacritic. Retrieved April 22, 2012.
- ^ "Tomorrowland (2015)". Rotten Tomatoes. Fandango Media. Retrieved June xiv, 2018.
- ^ "Tomorrowland Reviews". Metacritic. CBS Interactive. Retrieved May 22, 2015.
- ^ "Incredibles ii (2018)". Rotten Tomatoes. Fandango Media. Retrieved June 14, 2018.
- ^ "Incredibles ii Reviews". Metacritic. CBS Interactive. Retrieved June 14, 2018.
- ^ "Brad Bird (I) Awards". IMDb. Retrieved Jan 14, 2013.
Sources [edit]
- Paik, Karen (2007). To Infinity and Beyond!. Relate Books. ISBN9780811850124.
- Price, David (2008). The Pixar Touch . New York: Alfred A. Knopf. ISBN978-0-307-26575-three.
External links [edit]
 | Wikiquote has quotations related to: Brad Bird |
 | Wikimedia Commons has media related to Brad Bird. |
- Brad Bird at IMDb
Source: https://en.wikipedia.org/wiki/Brad_Bird
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